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如果你目睹了一件非同寻常的事情,但却无法向任何人倾诉,你会怎么做?如果赋予你一个可能改变宇宙命运的责任,你会怎么做?他唯一的选择就是,是完成分配给他的任务,还是把自己送进精神病院。虽然故事属于超自然惊悚片的类型,但影片试图用老套的手法讲述故事,但又打破了老套的讲述规则。。凯特(艾米莉亚·克拉克 Emilia Clarke 饰)是一个非常平凡的女人,每天都过着浑浑噩噩的日子,她的个性和一连串错误的选择导致她如今只能在一家全年无休的商店里当店员。无家可归的凯特借住在朋友家里的沙发上,虽然凯特有一位很爱她的母亲阿黛拉(艾玛·汤普森 Emma Thompson 饰),但凯特却因为某些心结而拒绝回家和母亲同住。 某日,一位名叫汤姆(亨利·戈尔丁 Henry Golding 饰)的男子出现在了凯特的面前,成为了照亮她前路的明灯,汤姆的出现让凯特开始意识到自己的人生或多或少出现了问题,在汤姆的帮助之下,她开始正视自己和母亲之间的矛盾,并且开始一步一步的纠正自己错位的人生。。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。