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在20世纪90年代的孟买，一名犯罪头目手眼通天——直到一群以下手狠辣著称的“黑警”出现。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。东汉末年，外戚专权，宦官秉政，群雄争霸，天灾不断。在这个战乱时代，解州运城出现一位义重如山的武将，他忠义仁勇的一生在历史上留下一段可歌可泣的英雄事迹，他就是——武圣关公。影片从关羽桃园三结义、温酒斩华雄、过五关斩六将到单刀赴会、水淹七军等经典历史段落，串起关公追随兄长、匡扶汉室、威震华夏的传奇一生，并将民间传说中战蚩尤解救苍生等神话巧妙呈现，全方位还原关公这一彪炳春秋的华夏传奇英雄。。